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Painting (From A to Z)

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56814

Resurrection of Christ

mk250 Italy Church of the Holy Temple in the town of Kang Muna, about the year 1463. Frescoes. 226 x 199.4 cm.

65062

Retable

1396 Panel Art Institute of Chicago, Chicago In Navarre, the linear style of panel painting persisted throughout the fourteenth century, as may be seen in the retable that Pedro L?pez de Ayala gave the monastery of Quejana in 1396. , UNKNOWN MASTER, Spanish , Retable (detail) , 1351-1400 , Spanish , painting , religious

76885

Retour de chasse. Portrait d'une famille strasbourgeoise

1660-1670 Oil on canvas

80535

Retrato da Viscondessa de Meneses

1862(1862) Medium Oil on canvas Dimensions 223 x 150 cm (87.8 x 59.1 in) cyf

73351

Retrato de Antonio Cortina por Emilio Sala

Retrato de Antonio Cortina por Emilio Sala o/tabla 22x14 cm. cjr

68686

retrato de dama com livro

Medium Oil on canvas Dimensions 130 X 97 cm

79724

Retrato de uma Jovem

circa 1870 Oil on canvas 66 x 54 cm (26 x 21.3 in) cjr

78218

Retrato de una senora principal con su negra esclava

Date 1783(1783) Medium Oil cyf

75864

Retrato del nino Carlos Pomar Margrand

1851(1851) Oil on canvas 125 ?? 92 cm (49.2 ?? 36.2 in) cjr

71051

reve du cavalier

mk289 madrid academia de san fernando

64989

Revelations of St Bridget of Sweden

1400 Illumination on parchment, 26,8 x 19 cm Pierpont Morgan Library, New York The illumination shows St Bridget's mystical vision of God. The often dramatic staging of the transubstantiation of the Eucharistic bread and wine into the body and blood of Christ reaches its high point when the priest raises the host. Through this act, the believer was able to feel the presence of God, but without being able to see the divine rays of God's gaze necessary for this metamorphosis to take place. This is something witnessed only by the Elect, of whom St Bridget of Sweden was one. In an illustration of one of her visions, we can see how the transformation of the host occurred. The saint is seated at her writing desk. In front of her the Eucharist is being celebrated. her head is lit by a divine ray which descends from an open heaven in which the angels and saints have gathered. The Virgin and Christ, seated in a mandorla, impart the rays which reveal the miracle: only Bridget is able to see the body of Christ rising from the wafer. , MINIATURIST, Italian , Revelations of St Bridget of Sweden , 1401-1450 , Italian , illumination , religious

43435

Review Palace magnanimo

mk170 the brave thing does not remove it Courts or the perdon of the Belgians

65209

Rheinau Psalter

13th century Illumination on parchment Zentralbibliothek, Zurich The main characters of this crowded composition depicting the Kiss of Judas are Christ and Judas in the centre. On the left side Apostle Peter can be seen as cutting the ear of a soldier. The beautiful frame of the scene is remarkable. The codex was made in the Rheinau monastery. Artist: MINIATURIST, German , Rheinau Psalter , 1201-1250 , German , illumination , religious

72181

Rhododendrons

ca. 1882(1882) Oil on panel 91.3 X 24.9 cm (35.94 X 9.8 in)

78817

Rhododendrons by Clara Burbank

Rhododendrons by Clara Burbank (1862-1927), oil on canvas cjr

41228

Rhyton in the form of a lion griffin

mk161

41230

Rhyton in the form of a lion-griffin

mk161

39853

Rich Men Getting Haircuts

mk153 Gouache on paper 33.7x44.8cm

49681

Richard Burton each beyond starry-eyed aventyrare an forskningsresande

mk199 Today am failing he most candied ago its oversattning of Thousand and enatt from which depiction beneath of Scheherazade am failing manipulate

42945

Richard II of England presented to the Virgin and Child by his patron Saint John the Baptist and Saints Edward and Edmund

mk170 1395-1399

41355

Richard III

mk160 c.1490 by Gracious Permission of her Majesty the queen

72829

Richard Llwyd

Richard Llwyd, 'Bard of Snowdon' (1752-1835) Potrait of Welsh poet and genealogists, Richard Llwyd, original held by the National Museum of Wales, oil on canvas. cjr

42543

Rider statue of Marcus Aurelius

MK169 161-180.Brons More than life-size. Museo Capitolino. Rome

79858

Ritratto di Cavaliere dell'ordine Costantiniano

ca. 1740 cjr

75662

Ritratto di Maria Margherita di Savoia all'eta di sei anni

1596 cjr

50641

River

mk213 Oil on canvas

70970

River Front, New York, in Winter

ca. 1912(1912) Oil on canvas 32.5 x 45.6 cm (12.8 x 17.95 in)

73753

River in a forest

"River in a forest", oil painting on canvas by RenX Stevens (1858-1937); private collection cjr

50520

Robert

mk212 Ol on canvas 1826-27 238.1x172.7cm

65282

Robert

393 ?? 455 pixels,

74041

Robert Browning

oil on canvas, by Michele Gordigiani. 28 1/2 in. x 23 1/8 in. (724 mm x 587 mm) cyf

41365

Robert Devereux

mk160

41366

Robert Dudley

mk160 c.1576

41419

Robert Dudley

mk160 c.1585

64247

robert dudley

1560 london the wallace collection

49223

Robert E.Lee

mk195 1865 Oil on canvas 21x17

68507

robert mcclures skepp investigator sitter fast i isen norr om bankon

1850-52 se

52771

Rock of Cashel

mk223 Oil on canvas

35423

Rocks near Sakrigali

mk102 1781-82 Oil on canvas 63.5x83.8cm

65317

Rodriguez Puig expo

1,424 ?? 1,168 pixels

53661

Rohanmastaren, The dode inform their Judge

mk234 ca 1418-25 27x19cm

27562

Roman Charity

mk56 oil on canvas Follower of jan janssens

65018

Roman de la Rose

29,5 x 22,5 cm (whole page) Bodleian Library, Oxford The illumination depicts Narcissus and Echo. The most extensively illuminated and popular vernacular poem of the period was the Roman de la Rose, begun by Guillaume de Lorris (d. c. 1235) and finished by Jean de Meung (c. 1240-c. 1305). Here the garden of love becomes a setting for a complex allegory of the sexual act in which love's pleasures become equivocal for the yearning lover. Both poets were influenced by optical theories of the time and there is a long digression on the function and meaning of mirrors. The mirror had traditionally been an emblem of the vanity or "luxuria", but it is "oiseuse" or idleness, who looks into her mirror in this work. Early in the poem the association between mirroring the self and love is evoked in a description of Narcissus and Echo, subtly illuminated by a Parisian artist. In the miniature we see Echo, whose love for Narcissus was not answered, asking God that the hard-hearted Narcissus might one day be tormented and burned by love himself. Returning from hunting and leaving his horse, the young man bends down by a pool to drink and there he "saw his face and nose and mouth, clear and sharp". Falling in love with his own reflection, he pines away and dies of love. The artist has attempted to represent the reverse mirror reflection of the square pool, creating a symmetry suggestive of the closed circuit of his desire. But the point of the narrative is not that Narcissus has fallen in love with himself, in the modern sense of narcissism, but that he has been so captivated by an image that he forgets everything else. His sin is really idolatry, not self-love, indicative of the way in which, even by this time, the mirror was associated less with the notion of the self and more with the creation of an alternative, illusory, reality. , MINIATURIST, French , Roman de la Rose , 1351-1400 , French , illumination , mythological

39408

Roman relief

mk148 1.Jh.n.Chr.;römische troops late 70 n. Chr. With robbery goods out of the temple Jerusalems

74913

Romas

29 X 44.5 cm (11.42 X 17.52 in) cjr

75038

Rombouts

Rombouts, Gilles (* 1630 Haarlem, † um 1678): Landschaft mit aufziehendem Gewitter. Öl auf Holz, 19 x 27,5 cm. Date um 1650, cyf

73300

Rombouts, Gilles

Rombouts, Gilles (* 1630 Haarlem, † um 1678): Landschaft mit aufziehendem Gewitter. Öl auf Holz, 19 x 27,5 cm. cjr

27593

Rome,a view of the falls at tivoli with two artists sketching from a promontory

mk56 oil on canvas Circle of Hubert Robert

67487

romersk vaggmalning me3d kvinna i grekisk drakt

43424

Rompio the doors the crowd, Turning on fire

mk171 takes it of the alhondiga was work enteramented of the populace and the Indians

30344

Room of the Masks

mk68 c.100BCE Italy Rome,Palatine Hill Domus Augustana.

73887

Rosa Solymanni uxor

16th century Oil painting cjr

67301

Rose

Description Czachorski - Rose.jpg A lady with rose. Oil on canvas Date 1873(1873)

74184

Rosenstein bei Heubach

Rosenstein bei Heubach 1926(1926)

74333

Roses

Painting Roses cyf

68383

Roses and Lilac

from 1890(1890) until 1900(1900) Oil on canvas 54 ?? 64.5 cm (21.26 ?? 25.39 in)

49673

Ross and second sydpolsforskare pa 1800- digits utilize Fulviken pa the desolate on Kerguelen

mk199 approx km north if Antarctic Continent

68514

ross och andra sydpolsforskare

på 1800-talet utnyttjade julviken på den ensliga ön kerguelen, ca 2000km norr om antarktis, se

49679

Rounghusband t.v.tillsammans with sina tva foljeslagare.

mk199 He indeed not much of vagen stamp Peking to Hamilton he was hiring a vagvisare ago its fard per Gobioknen 1886

79047

Roustam Raza

1806(1806) Oil on canvas 1,520 x 1,255 cm (598.4 x 494.1 in) cjr

41785

Royal Doors

mk165 middle of the 16 century Regional Museum of Rovno Ukraine

41786

Royal Doors

mk165 National Museum Przemysl Poland

67498

Rubens Two Sleeping Children

50.5 X 65.5 cm

71008

Rudolf von Habsburg und der Priester

19th century Oil on canvas

72160

Rudolf von Habsburg und der Priester

Medium Oil on canvas Dimensions ? cm cyf

71204

rue caulaincourt

mk290 1884 oil on canvas 13x10in signed dated and dedicated lower left al ami cuvillier P Signac montmartre

42584

Rug page with cross from the Evangeliarium Van Lindisfarne

MK169 for 698 n. Chr. Velijn 34.3x24.8cm

48840

Ruin

mk187 1750- digits Oil slick pa tra 28x27cm

35449

Ruins of Llanthony Abbey

mk102 1777-78 Oil on canvas 96.5x73.7cm

39418

Ruins of the Kalat-Simon-rampart trip church, Syria

mk148 The church became in the 5.Jh. Around that column in the foreground) builds on the Simeon Stylites ("Säulensteher", died 459 n. Chr.) For 30 years lived had

34126

Ruler with royal cup

mk90 Detail of The Royal favorite stung by a serpent in the royal pavilion and cured

52559

Rumanian Family Going to the Fair

1843/44 Oil on canvas, 138 x 109 cm

34222

Rumi riding his mule as an Ottoman prelate swollen with pride,and Brought back to humility on seeing the dervish Shams

mk90 Mid Sixteenth century Ottoman illustration to a hagiography of Rumi

49551

Runsten stamp Oath in Unpacked

mk201 Runorna lazy Ragnvald rista.Han each in Grekland,var krigarskarornas lady-in-waiting

72395

Russian Ballet

Dimensions 76.2 X 91.4 cm (30 X 35.98 in) cyf

67500

Russov-Lev-Boy-and-Sea-rus13bw

English: Painting "A Boy and a Sea", by russian artist Lev Russov

45839

Rustan catches its Pferdein, out of the Schahanme of Abu-l-Qasim Manur Firdausi

mk178 St. Peter castle, institute fur Orientalistik

48837

s and duke Fredriks besok in Am grinding - and Bildhuggare Academies the 8 Dec. 1780

mk187 1782 Oil slick pa screen 99x165cm

63042

S. Ignazio Cures Victims of the Plague

1688-90 Fresco Sant'Ignazio, Rome The picture shows part of the decorative program by Andrea Pozzo which focused on the miracles of the founder of the Jesuit order. The frescoes were considered, both in Rome and beyond, an excellent example of the Baroque technique of creating the illusion of architectural depth in painting. Artist: POZZO, Andrea Painting Title: S. Ignazio Cures Victims of the Plague , 1651-1700 Painting Style: Italian , , religious

57770

s.t elias dag 1741

mk260 s.t elias dag 1741,en malning,av den svenskattade konstnaren c rusty heurlin,ester,alaska.fran s.t peter har man siktat den amerikanska kusten och den sjuke vitus bering har kommit upp pa dack

61416